Grandma Moses (1950)

About the Film

Anna Mary Robertson Moses better known as "Grandma Moses" did all of her painting from remembrance of things past. She liked to sit quietly and think, she once said, and remember and imagine. "Then I'll get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live."

She would sit on an old, battered swivel chair, perching on two large pillows. The Masonite on which she painted would lie flat on an old kitchen table before her. There was no easel. Crowding her in her "studio" were an electric washer and dryer that had overflowed from the kitchen.

For subject matter, Grandma Moses drew on memories of a long life as farm child, hired girl and farmer's wife. Her first paintings had been sent to the county fair along with samples of her raspberry jam and strawberry preserves. Her jam had won a ribbon, but nobody noticed those first paintings.

During her lifetime she painted more than 1,000 pictures, twenty-five of them after she had passed her 100th birthday. Her oils have increased in value from those early $3 and $5 works to $8,000 or $10,000 for a large picture.

Licensing

For licensing, film rights and permissions, contact the filmmaker the distributor The Jerome Foundation, or Folkstreams.

Film Details

  • Film by:
  • Produced by: Jerome Hill
  • Cinematographer: Erica Anderson
  • Sound: Reeves Sound Studios
  • Editor: Archibald Macleish, writer and narrator
  • Other Credits: Hugh Martin, music; Falcon Films Inc. Productions; copyright of paintings reserved by Grandma Moses Properties, Inc.
  • Original Format: Betacam Digital (Digi Beta)
  • ©
  • 23 mins, Color
  • Categories:
    AgingArts & Crafts, TraditionalWomen